{"id":1045,"date":"2026-01-19T12:37:14","date_gmt":"2026-01-19T11:37:14","guid":{"rendered":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/2026\/01\/19\/murs-invisibles-le-code-source-comme-outil-artistique-et-militant\/"},"modified":"2026-01-26T13:53:50","modified_gmt":"2026-01-26T12:53:50","slug":"murs-invisibles-le-code-source-comme-outil-artistique-et-militant","status":"publish","type":"post","link":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/murs-invisibles-le-code-source-comme-outil-artistique-et-militant\/","title":{"rendered":"Murs Invisibles : Le code source comme outil artistique et militant"},"content":{"rendered":"

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carr\u00e9 mang\u00e9 *\/|||| padding: calc(2rem + var(–p));|| width: 320px;|| font-family: monospace;|||| clip-path: polygon(|| \/* haut gauche *\/|| 0 0,|| calc(100% – var(–p)) 0,|| calc(100% – var(–p)) var(–p),|| 100% var(–p),|| 100% 100%,|| var(–p) 100%,|| var(–p) calc(100% – var(–p)),|| 0 calc(100% – var(–p))|| );||}\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Collectif Iakeri Code and photo of the Invisible Walls<\/em> sound and visual installation, 2022 [\u00a9 Collectif Iakeri].<\/p>\n

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\u00c0 propos du code<\/strong><\/h1>\n

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Murs Invisibles<\/em> est une installation immersive du collectif Iakeri qui utilise le code pour rendre sensibles les in\u00e9galit\u00e9s de genre et les rapports de domination produits par le patriarcat. \u00c0 partir de statistiques en acc\u00e8s libre issues d\u2019organismes comme l\u2019INSEE, l\u2019INED, la DANE, l\u2019ONU ou l\u2019OCDE, l\u2019\u0153uvre transforme des chiffres abstraits en exp\u00e9rience perceptible. <\/strong><\/p>\n

Dans un environnement sonore brumeux, des mobiles en forme de m\u00e9duses se font support de donn\u00e9es projet\u00e9es. Leur mise en mouvement et leur affichage sont pilot\u00e9s par un script en Python con\u00e7u par les artistes. Ce code laisse appara\u00eetre des variables telles que pays, ann\u00e9es, statistiques, femmes, ainsi que des commentaires \u00e9voquant directement les in\u00e9galit\u00e9s trait\u00e9es. Le script utilise un protocole habituellement d\u00e9di\u00e9 aux transmissions Internet rapides, ici d\u00e9tourn\u00e9 pour transmettre les donn\u00e9es vers un simple \u00e9cran de type terminal Unix, qui sert d\u2019espace d\u2019affichage. Celui-ci fait d\u00e9filer les donn\u00e9es, projet\u00e9es sur les mobiles. En parall\u00e8le, un programme d\u00e9velopp\u00e9 en Max\/MSP, un logiciel musical de programmation graphique, re\u00e7oit les m\u00eames messages et g\u00e9n\u00e8re le paysage sonore de l\u2019installation. <\/p>\n

Une boucle infinie organise les 25 minutes des trois tableaux \u2013 Disparitions, \u00c9carts, Violences \u2013 dont les s\u00e9quences reviennent et se transforment continuellement. Cet extrait de code illustre comment des outils num\u00e9riques courants peuvent \u00eatre r\u00e9investis dans les arts vivants afin de coordonner son et image, et comment ils peuvent devenir mat\u00e9riaux artistiques et militants. <\/p>\n

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Glossaire<\/p>\n

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INSEE \u2013 Institut national de la statistique et des \u00e9tudes \u00e9conomiques.<\/p>\n

INED \u2013 Institut national d\u2019\u00e9tudes d\u00e9mographiques.<\/p>\n

DANE \u2013 D\u00e9l\u00e9gation acad\u00e9mique au num\u00e9rique \u00e9ducatif, coordonnant et mettant en \u0153uvre les orientations de d\u00e9veloppement et de formation aux usages du num\u00e9rique du minist\u00e8re de l’\u00c9ducation.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#86D1F5″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

BIOGRAPHIE<\/strong><\/h1>\n

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Cr\u00e9\u00e9 en 2017, le collectif Iakeri est la r\u00e9union de trois femmes \u2013 Jimena Royo-Letelier, Alice Guerlot-Kourouklis, Aneymone Wilhelm \u2013 aux parcours et aux recherches diff\u00e9rents. Attach\u00e9 au travail de la mati\u00e8re, au son comme arme politique, \u00e0 une utilisation critique des technologies, ainsi qu\u2019\u00e0 la porosit\u00e9 entre recherche et cr\u00e9ation, le collectif fait \u00e9merger des dialogues entre disciplines, et les replace dans des questionnements politiques et f\u00e9ministes. <\/p>\n

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#Activism<\/strong><\/p>\n

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#Art<\/strong><\/p>\n

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#\u00c9galit\u00e9 des genres<\/strong><\/p>\n

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Collectif Iakeri Code and photo of the Invisible Walls sound and visual installation, 2022 [\u00a9 Collectif Iakeri].\u00c0 propos du codeMurs Invisibles est une installation immersive du collectif Iakeri qui utilise le code pour rendre sensibles les in\u00e9galit\u00e9s de genre et les rapports de domination produits par le patriarcat. \u00c0 partir de statistiques en acc\u00e8s libre […]<\/p>\n","protected":false},"author":4,"featured_media":1044,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[137],"tags":[153,154,109],"class_list":["post-1045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artefact-culturel","tag-art","tag-egalite-des-genres","tag-militantisme"],"_links":{"self":[{"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/posts\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":5,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/posts\/1045\/revisions"}],"predecessor-version":[{"id":1531,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/posts\/1045\/revisions\/1531"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/media\/1044"}],"wp:attachment":[{"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/media?parent=1045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/categories?post=1045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sourcecode-exhibition.softwareheritage.org\/fr\/wp-json\/wp\/v2\/tags?post=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}